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Panel from a Rectangular Box, Ivory; carved, inlaid with stone with traces of pigment
10th–early 11th century
Morgan Casket, Ivory; carved
11th–12th century
Carpet with Palm Trees, Ibexes, and Birds, Cotton (warp and weft), wool (pile); asymmetrically knotted pile
late 16th–early 17th century
Lantern for a Lamp, Earthenware; carved decoration, unglazed
9th–10th century
Animal-Spouted Pitcher, Earthenware; polychrome decoration under transparent glaze (buff ware)
9th–10th century
'Lotto' Carpet, Wool (warp, weft and pile); symmetrically knotted pile
16th century
Mihrab (Prayer Niche), Mosaic of polychrome-glazed cut tiles on stonepaste body; set into mortar
dated 755 AH/1354–55 CE
Dagger with Zoomorphic Hilt, Hilt: copper; cast, chased, gilded, and inlaid with rubies.<br/>Blade: steel; forged
second half 16th century
Folio from a Qur'an Manuscript, Ink and gold on parchment
late 9th–early 10th century
Dado Panel, Plaster; cast
20th century
Panel, Wood (fig); mosaic with bone and four different types of wood
second half 8th century
Great Indian Fruit Bat, Bhawani Das or a follower Indian, Pencil, ink, and opaque watercolor on paper
Painting attributed to Bhawani Das
ca. 1777–82
"Isfandiyar's Third Course: He Slays a Dragon", Folio 434v from the Shahnama (Book of Kings) of Shah Tahmasp, Abu'l Qasim Firdausi  Iranian, Opaque watercolor, ink, silver, and gold on paper
Author Abu'l Qasim Firdausi
Painting attributed to Qasim ibn 'Ali
ca. 1530
Damascus Room, Wood (poplar) with gesso relief, gold and tin leaf, glazes and paint; wood (cypress, poplar, and mulberry), mother-of-pearl, marble and other stones, stucco with glass, plaster ceramic tiles, iron, brass
dated 1119 AH/1707 CE
"The Feast of Sada", Folio 22v from the Shahnama (Book of Kings) of Shah Tahmasp, Abu'l Qasim Firdausi  Iranian, Opaque watercolor, ink, silver, and gold on paper
Author Abu'l Qasim Firdausi
Painting attributed to Sultan Muhammad
ca. 1525
Khusrau and Shirin, Hatifi  Iranian, active Istanbul, Main support: ink, opaque watercolor, and gold on paper; binding: leather
Poet Hatifi
Calligraphy, illumination, and painting by Suzi
dated 904 AH/1498–99 CE
Calligraphic Plaque, Steel; forged and pierced
probably late 17th century
Jewelry Elements, Gold sheet; worked, chased, and set  with turquoise, gray chalcedony, and glass
late 14th–16th century
Pierced Window Screen (Jali), Red sandstone; pierced, carved
second half 16th century
"The Angel Gabriel meets 'Amr ibn Zaid (the Shepherd)", Folio from a Siyer-i Nebi (the Life of the Prophet), Mustafa ibn Vali, Ink, opaque watercolor, and gold on paper
Painting by Mustafa ibn Vali
Patron Commissioned by Sultan Murad III
Author Mustafa b. Yusuf al-Darir al-Erzerumi
ca. 1595
Folio from a Qur'an Manuscript, Ink, gold, and watercolor on paper
dated 531 AH/1137 CE
Calligraphic Galleon, 'Abd al-Qadir Hisari  Turkish, Ink and gold on paper
Calligrapher 'Abd al-Qadir Hisari
dated 1180 AH/1766–67 CE
Goa Stone and Gold Case, Container: gold; pierced, repoussé, with cast legs and finials<br/>Goa stone: compound of organic and inorganic materials
late 17th–early 18th century