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The Censer, Martin Schongauer  German, Engraving
Martin Schongauer
After/with Georg Schongauer
1470–1491
Sharecropper, Elizabeth Catlett  American and Mexican, Linocut printed in green and black
Elizabeth Catlett
1952 (published 1968–70)
Phaeton, from "The Four Disgracers", Hendrick Goltzius  Netherlandish, Engraving
Hendrick Goltzius
After Cornelis Cornelisz van Haarlem
1588
Adam and Eve, Albrecht Dürer  German, Engraving
Albrecht Dürer
1504
Christ Carrying the Cross, Martin Schongauer  German, Engraving
Martin Schongauer
ca. 1475–80
Landscape with a Double Spruce, Albrecht Altdorfer  German, Etching
Albrecht Altdorfer
ca. 1521–22
Melencolia I, Albrecht Dürer  German, Engraving
Albrecht Dürer
1514
Resurrection Story with Patrons, Kara Walker  American, Etching with aquatint, sugar-lift, spit-bite and dry-point, Printed on Hahnemuhle Copperplate Bright White 400gsm paper
Kara Walker
Printer Gregory Burnet
2017
Portrait of a woman as a shepherdess, Crispijn de Passe the Younger  Dutch, Metalpoint on prepared parchment (tafelet), inset into a nineteenth-century painted mount
Crispijn de Passe the Younger
1635-40
Weymouth Bay, David Lucas  British, Mezzotint on chine collé; progress proof
David Lucas
After John Constable
1830
Sabrina, Samuel Palmer  British, Watercolor and gouache (bodycolor) over graphite, with reductive techniques, shell gold and gum arabic
Samuel Palmer
1856
Emiliano Zapata, Diego Rivera  Mexican, Lithograph
Diego Rivera
Printer George C. Miller
Publisher Weyhe Gallery, New York
1932
Night, Sarah Sze  American, Lithograph in colors with screenprint
Sarah Sze
Publisher LeRoy Neiman Center for Print Studies, Columbia University
2003
Intimacy, Theo Van Rysselberghe  Belgian, Conté crayon; framing lines in conté crayon (or graphite?), by the artist
Theo Van Rysselberghe
1890
Poster celebrating the victory over the Nazis at the end of World War II, Ángel Bracho  Mexican, Lithograph in black and red, letterpress, backed with linen
Ángel Bracho
Publisher Taller de Gráfica Popular, Mexico City
1945
The Eight, Cyril E. Power  British, Color linocut on Japanese paper
Cyril E. Power
1930
Marie Antoinette in a Park, Elisabeth Louise Vigée Le Brun  French, Black chalk, stumped, and white chalk; framing lines in black chalk
Elisabeth Louise Vigée Le Brun
Sitter Marie Antoinette, Queen of France
ca. 1780–81
Junkernboden, Ernst Ludwig Kirchner  German, Color woodcut, working proofs recto and verso; recto: black ink with traces of yellow and green ink and wax crayon; verso: black, pink, dark red, and two shades of green ink
Ernst Ludwig Kirchner
1919
Lineas, Gego (Gertrud Goldschmidt)  Venezuelan, born Germany, Lithograph
Gego (Gertrud Goldschmidt)
1966
Evening Sky (Båstad), Nils Kreuger  Swedish, Fabricated black crayon (binder enriched, probably with wax), watercolor washes in varied hues, touches of blue pastel; signed in watercolor; on thick, manila colored, machine-made wove paper
Nils Kreuger
1907
Cloth: Label 1, Richard Tuttle  American, Etching with aquatint, spitbite, sugarlift, softground, fabric collé
Multiple artists/makers
2002–05
Édouard Manet, Seated, Holding His Hat, Edgar Degas  French, Graphite and black chalk
Edgar Degas
Sitter Edouard Manet
ca. 1868
The Connoisseur, Honoré Daumier  French, Pen and ink, wash, watercolor, lithographic crayon, and gouache over black chalk on wove paper
Honoré Daumier
ca. 1860–65
Moulin Rouge: La Goulue, Henri de Toulouse-Lautrec  French, Lithograph printed in four colors; three sheets of wove paper
Henri de Toulouse-Lautrec
Printer Affiches Américaines, Charles Lévy
1891
Seated Giant, Goya (Francisco de Goya y Lucientes)  Spanish, Burnished aquatint, scaper, roulette, lavis (along the top of the landscape and within the landscape)
Goya (Francisco de Goya y Lucientes)
by 1818 (possibly 1814–18)